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Buon compleanno Marlene

Marlene Dietrich, December 27, 1901 - December 27, 2010
"There are legends, islands legendary city of legend, tales of courage, integrity, beauty . They will live forever in the shadows of our minds, but not because they are legendary because they hide the truth, as deep as all the truth. The golden legend of the nightingale, the Lorelei, the bright Apollo whose hair weave the strings of his lute, the dream of blonde women: these legends will always be part of the world, regardless of its changes, as if Eva in person, abandoning the Garden of Eden, would create its own mystery with a new paradise. And with this mystery, a warmth, wisdom, humanity, a truth and a living legend " (Christopher Fry)

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Clara Bow sangue ribelle



(Beautiful video on Clara Bow from the channel gohepcat on YouTube)
"Any scenario will never be more beautiful and dramatic of my real life. No life will tell you more of the costumes of Hollywood where the most shameless profligacy and the most hypocritical pudibonderia will clash in strange contrast. "
Paris 1933. In 1908 the beautiful Clara was the first success, she did hear his voice and it was carried in triumph. She was born .... for ten minutes! Actually, the only two viewers who watched its debut on the stage in life were his father and mother and perhaps .... guilty of bias. That was July 29, 1908 in Brooklyn (New York).
"I was a girl brought up in Brooklyn Street, between the kids, sharing with them the games and the beatings, but all taken by a strange dream of glory and fortune ... My father, Robert Bow, was a restaurant waiter. He did not live for my mother, poor to be sick and neurasthenic. And by her daughter on which he had founded great hopes do not know what ... At fifteen, I did not know that the sadness of a miserable hovel, but always looked away, up, push in these visions of my father who adored me. It was in 1921. A major newspaper in New York opened a photogenic contest. My father, gathering his few economies, led me to one of the most famous and beloved photographers Brooklyn. Then we waited. And one day I was called '
then won the first prize in a beauty contest, which included a premium for the screen test, which immediately gave her a part in the film of Billie Dove: Beyond the Rainbow , but unfortunately his part was cut out of the need for film art:
"What was my grief when the film came to New York (I called all my friends, and my father was shaking with emotion) and saw all that, you know? All the scenes where I was supposed to appear had been cut! My mother, who already made it almost mad mental imbalance, received me with blows, and forbade me to continue my life "scandalous." PROMISE: A few days later, on his deathbed, he made me swear not I'd never done movies. So I became a telephone operator in a medical clinic, and that I would still, perhaps, if my father had not managed to make me understand the annulment of an oath taken by a poor creature mad and dying. And then, retry the test. "
director Elmer Cliffon looking for a characteristic type film Down to the Sea in Ships , he remembered seeing the portrait of Clara Bow on the cover of a magazine of fashion and found it very photogenic and very friendly; and therefore offered to work on that film for 50 pounds a week.
Clara Bow went to such luck. A long series of films gave her many successes. But the pellicola che le diede fama internazionale fu It di Elinor Glynn. Allora « l'indiavolata dai capelli rossi » cominciò a far parlare di sé il mondo intero. Sulla sua vita privata furono raccontate innumerevoli storie scandalose, ma non per questo ella perdette la sua costante allegria ed il suo smagliante sorriso.
«Vissi intensamente il bel sogno divenuto realtà. Quanto guadagnai? Non so: l'oro correva per le mie mani come una fonte inesauribile. Un giorno Donald Keith mi strappò una promessa di matrimonio: io mi accorsi subito dell'errore e mi sposai di corsa con Gilbert Roland. Ma anche di lui mi stancai presto. E fu la volta di Victor Fleming. Il pubblico si divertiva delle mie incongruenze, io... ancora most of the public. But blacks were the days. The rich, young Robert Savage, who had taken the place of Fleming, one morning he was found wounded in the wrist by a blow razor, a bloody fist tight in my photography. The father threatens me a job, although his son was completely cured, I try to comfort in the arms of Gary Cooper a little peace. But the big boy of Montana has a stern magistrate father and a mother who never gives up. The interdisciplinary is a marriage considered shameful: Gary and bows to the will of his father. Then I lost my head. My adventures shocked alloys moralistic American: the storm grumbled around me, and I felt it. It was my secretary, Daisy Devoe, who produced the spark, linked com'era ad una di queste sette moralizzatrici, molte delle quali pagate da altre attrici gelose dei miei successi. E Devoe pubblicò le mie lettere private. Fu il processo. La segretario indiscreta fu condannata, ma io, povera, abbandonata da tutti, ammalata, delusa, dovetti lasciare Hollywood, la California, rompere i miei contratti, fuggire... Tutti mi avevano abbandonata tranne mio padre ed un uomo. Uno solo: Rex Bell.»

Nata ragazzaccio Clara Bow non è cambiata affatto, neppure oggi benché sia diventala la signora Rex Bell. Nel Rancho «Clarita», la fattoria che suo marito possiede nel Nevada (California), dove essi abitano, Clara è always on horseback, and make bold and long rides in the vast prairie on the back of the most restless ponies. Prefers cowboy pants the luxurious toilet, which was used to bring in Hollywood, and there is no powder or rouge on his handsome face tanned by the sun.
There is no woman more generous in the world of Clara Bow: She is a pain to know that there is someone who wants something and can not get it with his own devices. Give generously and do not even want to be thanked. He consumed a fortune on gifts, donations, gifts and even whims. Because of unpredictable Clara has had several.
Among other things it says it still retains all the love letters that have come from all parts of the world has done to this building a large trunk with a special lock. She does not like interviews and hates to be seen in public, and therefore it is said that she, in recent times, going around Hollywood with a blonde wig to avoid being recognized. Therefore prefers to spend evenings at home with a few friends rather than attend the mundane to find Hollywood. You most beloved music, perhaps, ensures Rex, her hear good music is the only way to do it quietly in a corner and listen without laughing, and making grimaces or toddle. The work that she enjoys most is "Il Trovatore" by Verdi. You appassionala in sports, yet is lazy, likes to get up late in the morning, have breakfast and begin its work very late one o'clock in the afternoon, lunch at 5, dinner at midnight and go to bed at 3 or 4 am. But it seems that life free of Nevada has contribuilo in changing his habits. She herself has designed the project for the new house that she and Rex were built last year in place of the small bungalow that Rex was, before marriage, more than enough. They made a very modern house, although it seems almost an irony it is located almost in a desert and several miles away from the nearest train station. The area of \u200b\u200bthe ranch is almost 300,000 acres. That's where the funny Clara riacquistalo has fully his health and what she claims to be the place she loves most of all the world, and where ever you want to remove. This did not, however, prevented one day to hear the nostalgia of the hectic life of cinema and to accept the proposal that the Fox Film, sensing in it a beautiful female figure, not yet faded charm, made her to interpret the new Fox film which is preparing to Movietone City. The film is called Call Her Savage (Blood rebel) and is an exotic love story of Tiffany Thayer. Clara Bow will soon see this new, more beautiful and fresher than before, in an interpretation that allows it to be able to show off his great sensitivity and renewed Art. In this film she has in fact Fox opportunity to play a part that is perfectly suited to his artistic personality. Clara Bow
And you will see a more sincere, more glittering, as you've never seen any film of the past.

(Merry Christmas to all! And Happy Birthday Armando! This post is dedicated to him ... Thank you for everything!)

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Racconto di Natale Hollywood 1929

Want to know how to celebrate Christmas in Hollywood in 1929? Perhaps without being seen through the story of our correspondent in a time machine. Do you think it would be fun?

But a hasty observer would notice the happy faces on those few shadow that occasionally obscures the serenity. At the end of the table
Charlie Chaplin, prayed by Anita Page and Louise Brooks, was the famous dance of the rolls, a waiter placed before him a phenomenal mess covered with sugar ice on which stood the sentence now passed into history, thick as a novel and as a nostalgic song of a distant land, "Georgia, my love ... '. Charlot was preoccupied, thinking perhaps Georgia, who was the true legend of his unhappiness about what he wanted to be and never was his humble and graceful life full of dreams. Then he shook himself, and told a scene from the film "City Lights" which was putting the finishing touches.
late lunch the orchestra of Walt Whitmann attack some languid waltz. Mackaill Dorothy was a tireless and only Clara Bow compete with her. Pola Negri, in a corner, to the cozy darkness of a lamp, talked with Ronald Colman.
Slim came with a frightened face: "The bandits ... "He cried. And he had finished the sentence that ten masked figure burst into the room with leveled revolvers: "Hands up ... 'Demanded.
No one fainted, but of course everyone was excited. Only Greta Garbo kept a surprisingly impassive, even looked at it one of the robbers with a tender look and greedy together. Strange woman, for which only the adventure, the extraordinary, were an understandable reality. Nancy Carroll had a furtive lacrimetta thinking of his brilliant clear mounted in platinum and one of those mysterious lords was withdrawing from his fingers.
Suddenly, the bandits took off their masks and appeared ..... appeared Douglas Fairbanks, Wallace Beery, Harold Lloyd and others. The joke had succeeded perfectly, the merry laughter and comments do not count, the epilogue was a unanimous invitation to the King of jazz's most dynamic and syncopated tune of his songs, rhythm. The vast room seemed to become a chasm, but a nice pit, where, however, morality was highly respected. Somehow, I found myself at the feet of Compsom Betty, with a silver bucket on his head and his mouth full of confetti. I heard them murmur
Mac Laglen Bessie Love: "I'm two hours in the garden waiting for you ... Why do not you come? "
Lupe Velez told a story of his Mexican Christmas singing, full of angels, Little Red Riding Hood, the vast expanses of snow. All listened with suspended i1 heart, the music had been silenced. Then, as if awakened from a dream, not without nostalgia, each returned carefree. Lupe is still a little enchanted eyes, which had flourished before the patio of Villalobos, the sweet his father's house. Next to her, Jackie Coogan. bright-eyed and thoughtful collection, taken from the musical voice and light of the dark narrator, his mind wandered away Ricardi in his art and review the Paradise, the house decorated by small flowers, gentle and sad eyes of his great friend, Charlie Chaplin.
At midnight the party was on the pitch. The songs of many different countries are intertwined in a fascinating and new embroidery. Those men, beautiful women, that fed the fantasies of people who were dreaming the same beating the dweller on the banks of rivers such as the shores of the seas, the nomad, the sedentary, the old and the teenager, rejoiced with simplicity and directness, without the nightmare of the lens, which forces them to study a glance, a fold of the lips, a gesture, to live in front of a mirror, without the serene joy of abandonment.
When we left, the first light of dawn lightened the sky. The air was cold and crisp, crossed by the beams of white lights of cars. The roar of the engines were like the last notes of the evening memorable.
Soon the sun would rise, and the studios would have taken his life and eager to go fast, sweeping away illusions and creating stories. But even in this worldly paradise, love, on which there seems to be only fleeting, Christmas was not left without a brotherly kindness.

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Kreative Blogger in ritardo

I am finally, after almost three weeks late in receiving my Kreativ Blogger Matthew Conian-Movietone News, thanks Matthew! Wipe the bowl

go ahead with the seven rules that a similar award includes: 1

thanks to Matthew for the award of Movietone News! 2

I copied the logo.

three linked Movietone News

four and seven things to tell me that blog readers are still unknown (easy for me in the blog is never discussed). Let's see ... I have two dogs, a cat, and I would like a horse, but I have no idea what he thought, the horse most of his day to live in an apartment on the second floor. I would like to live in a house near the sea in a place not too crowded or too hot. Let's count: 2 dogs + 1 cat + 1 + 1 horse beach house crowd + 1 + 1 does not not hot, making a total of seven ... done!

5 segnalo sette Bloggers Creativi che seguo:

Buena suerte viviendo

Radiation Cinema!

Allure

The Silent Movie Blog

Silent Volume

Welcome to Silent Movies

corto in corto

6 linkati!

7 e... nelle prossime ore, i commenti nei blogs.

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The Securities

What are securities?
With the 'term "Securities" refers generically securities issued by supranational organizations (IBRD CZECH EIB), the State, from public and private institutions or companies and may represent a stake in the company or a share of a prestito.Vi are finally the mutual fund shares representing a stake in the investment portfolio of the fund.
Why there?
economic operators to achieve their goals they need to invest. To invest must obtain the necessary financial resources. Therefore turn to drive in budget surplus (families) in various capacities for the availability of these resources. This is done through the financial market. The main economic function of the securities is, therefore, serve as a liaison between the units in surplus ma che non sa investire direttamente e chi pur sapendo come investire non è in avanzo di bilancio.
Come si dividono Valori Mobiliari?
Sostanzialmente in due categorie. I titoli azionari ed i titoli obbligazionari.
I primi sono parte del capitale dell' azienda, cioè costituiscono l' azienda stessa, i secondi sono rappresentativi di un debito contratto dall' azienda.

Solitamente vengono anche divisi tra pubblici e privati in funzione dell'ente emittente
Che vantaggi danno?
1) La facilità del trasferimento della titolarità. I V.M. sono rappresentati da certificati trasferibili e quindi possono essere scambiati agevolmente. Quindi possono essere anche convertiti in liquidità vendendoli sul mercato, più o meno agevolmente, a seconda della diffusione del titolo stesso.
2) Un reddito. I titoli offrono un reddito fisso o variabile a seconda della categoria di appartenenza considerando come tale anche l' eventuale plusvalenza sul capitale investito.
Cosa è il mercato?
E' il luogo dove si svolgono le contrattazioni di un bene. Oggi con l' avvento della telematica non è più un luogo fisico (per es. la Borsa di Milano) ma un luogo virtuale, dove comunque avvengono scambi che sono materialmente eseguiti presso la società di deposito Monte Titoli spa, un consorzio tra banche costituito per rendere più agevole e sicuro il trasferimento dei titoli.
How many markets are there?
Apart from the obvious distinctions, geographical areas, markets can be divided in many ways.
For example based on the remaining life of the VM: distinguish it the money market (with securities with very short maturities, max 18 months) and financial markets (the rest).
typical money market instruments are debt securities with residual maturity of less than life or 18 months (bot, and state bonds near maturity, financial commercial paper bills ...). The characteristic of these titles is the strong liquidity, the low risk (in terms of solvency but also in terms of changes in the course of the licenses under to fluctuations in interest rates).
financial market instruments are:
a) fixed-income securities
b) variable yield.
The former are particularly sensitive to changes in interest rates in the economy of reference, the latter are sensitive to general economic conditions, the domestic political situation and foreign policy.
For what concerns the stock market a very common distinction is one that sees the primary stock market (Stock Exchange), the limited market and the Third Market. In general large it can be said that the first two are regulated by State law and subject to close supervision and monitoring bodies dealing with securities that have caratteristiche ben precise (per es. in termini di capitalizzazione delle società emittenti), il Terzo mercato è sorto spontaneamente ed è meno controllato rispetto ai primi due.
Quali sono le caratteristiche dei titoli obbligazionari?
Sono rappresentativi di un debito contratto dalla società.
Sono in genere al portatore.
Hanno un valore nominale che è dato dall' ammontare del prestito diviso per il numero di titoli emessi.
Fisicamente (anche se i titoli sono ormai tutti "virtuali") sono suddivisi in mantello e cedole. Il mantello contiene le informazioni relative alla società emittente, il valore del prestito, la scadenza, le date di pagamento degli interessi; physically is the widest part of the title. The paper coupon is a set of coupons that are individually identifiable and giving rise, upon submission to 'issuer to pay interest they represent.
's issuer is obligated to repay the loan in the manner to be notified at the time of' release. Redemption may be at maturity, according to a repayment plan with fixed annual fee. What makes
a bond?
The performance is a matter of point of view ...
The nominal yield is the ratio between the 'interest paid for each title and the par value. (Una obbligazione che rende 7 lire ogni cento ha un rendimento nominale del 7%).
Il rendimento nominale può essere fisso od indicizzato (cioè ancorato ad un parametro variabile)
Il rendimento immediato è dato dal rapporto tra il valore nominale della cedola ed il prezzo corrente del titolo. (una cedola di obbligazione pari a 6 e quotata 92 a corso secco avrà un r.i. pari a
6*100 / 92 = 6,552
Il rendimento effettivo a scadenza è il rendimento dell' investitore che compera il titolo e lo mantiene fino al rimborso. La formula matematica è un po' complessa, poichè comprende la somma dei flussi attualizzati delle cedole e del capitale.
Quanti e quali sono i titoli di Stato?
Bonds are all included in the Great Book of the Public Debt. The Bills State comparendovii are not treated as securities for public debt securities. Less subtly
the public debt securities are mainly BOT, CCT, BTP, CTE and BTZ. Bots are technically defined
Zero Coupon Bond, that are zero-coupon bonds, where 's interest is collected at the time of repayment or sale prior to maturity.
Deadlines are under the 'year and at 3, 6 and 12 months.
CCTs are deferred indexed securities, ie the coupon is anchored to the revaluation of parameters (usually at the rate of Treasury bills plus a premium) that allow you to 'investor to maintain a certain adherence to the interest rate market a breve. Sono gli strumenti definiti tranquilli dall' investitore casalingo perchè rendono più o meno come i bot e grazie alle scadenze medio lunghe consentono di occuparsi saltuariamente di loro. Sono comunque una anomalia tipicamente italiana.
Vi sono poi i BTP che a differenza dei CCT non hanno cedole indicizzate. Simili titoli rappresentano la regola nel mondo. Il fatto che le emissioni siano poliennali ed il tasso delle cedole non indicizzato rende il corso di questi titoli alquanto sensibile alle oscillazioni dei tassi di interesse e pertanto non sono visti con particolare simpatia dagli investitori non professionali.
I CTE sono come i CCT ma sono denominati in euroscudi (ECU) e pertanto hanno rendimenti nominali inferiori rispetto ai CCT in lire, ma have the advantage of offering a diversification with a strong currency. Therefore, all revaluations of 'ECU against the pound are reflected positively on the price of such securities. The newest member of the family are the BTZ or "buttons" in the case of treasury bills and two-year zero-coupon (they have the mechanism for payment of Treasury bills)
There are other titles?
There are a huge amount, issued by banks, multinational corporations, supranational organizations, foreign countries. Each title has, however, the general characteristics mentioned above. What changes is the 'issuer and the issue conditions.
How to choose a title policy with which to invest? To make a
assessment must considertare many factors such as profitability, risk, time of immobilisation of the capital. Of these, only the efficiency is an objective criterion for the other two factors, the economic evaluation is subjective. is not so easy to give a clear answer. Indeed it is not advisable. It depends on the 'age of' investor, its capital structure, and from family, from his aversion to fluctuations in invested assets.

taken from http://gda.sinet.it/96.04/investi.html

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Some clarification this link or this other .

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Verification of Computer

Use the following steps:

• Create a text file on your desktop chimalo "Fransisco"


• Create a folder on your desktop call it "trouble"


• Put the file "Fransisco" to "problems"


• Move the folder "problems" in documents


• Search program (application) computer with a special search function


• Make the program shortcut on the desktop


• Copy the link in your "problems"


• Now do a virus check della cartella “problemi”


• Copia il report dell’antivirus dentro la cartella problemi, se non è possibile copia il risultato in un file di testo usando il programma wordpad e salvalo nella cartella “problemi”


• Apri paint e realizza il seguente disegno: http://www.iguitti.net/img_divertiti/trucco_clown.gif


• Ora animalo a tuo piacimento usando gif animator salva il risultato in “ problemi” chiamandolo “animazione”


• Comprimi la cartella problemi e spostala nel desktop


• Cancella la cartella non compressa


• Rinonima la cartella compressa “problemi” and call it "verificainformaticatuocognome"

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Interest and discount

spegazione For a clear and simple interest, discount, present value and column you can click here

then try to solve this: A merchant
August 23 in advance collecting a debt Poor December 10 allowing the trade discount rate to 6% later received the sum of € 28 676.80 to immediately deposit with a bank that the interest rate is 1.75% gross. determines, applying the procedure of the calendar year (36500): a) the value of the credit poor December 10 b) the column that will accrue to the merchant 31. December, knowing that the bank will apply the 20% withholding tax on interest. [Results: 29 200.00 €, 28 € 819.79]
PS: The withholding tax is an advance payment of income tax that applies on accrued interest (so called gross ) will be calculated and raised the interest they become so clear.

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La vedova allegra alle Giornate del Cinema Muto di Pordenone

Quando il buon papà Lehar ebbe finito di vedere la Vedova Allegra di Stroheim, disse: «Se non avessi scritto la Vedova Allegra la scriverei ora, inspired by this beautiful film. " And with these words, dear teachers and friends gave the most complete and accurate assessment on the last effort of dell'inscenatore Foolish Wives. Indeed
Stroheim Henry has done work with this wonderful and very complete reconstruction of the masterpiece by Franz Lehar. All the background from which arise the three acts of Widow and with them and for them the river of music that has delighted the world for fifteen years, has closed three bars in the beginning of the first act Cospodina Kromow , where the worthy lady as the goodness to inform qualmente Glàvari Anna is the widow of the banker and baron Glàvari, magnate of Pontevedra, the small kingdom fantastico... fino ad un certo punto, sebbene oggi non esista più nemmeno come espressione geografica. Quindi Nigrus nella sua breve scena con l'Ambasciatore, l'Ambasciatore nella scenetta con Danilo in funzione di cantina ambulante, e quindi Anna e Danilo nella bellissima scena della sfida (che precede il famosissimo Venite orsù sirene della danza) ci erudiscono. E l'azione procede senza più inciampi, senza più riallacciarsi al passato; e si svolgono, piane, avvincenti, prepotenti le pagine del gran concerto della Vilja, il duetto comico dello sciocco cavalier, il duetto Rossillon-Valentina del chiosco (ricordate: Là nella dolce oscurità e Io sono una donna onesta?), il dodicimino degli uomini è scabroso le donne studiar, the magnificent final seconds of granitic texture, with the unforgettable footage of Maxim and the tale of Daniel, and in the third act, the beautiful dance of sinners ... Maxim imported from the authentic and the waltz to the final third, the famous waltz that has been around the world:

silent lip
I love you!
- says the violin -
his notes, all of them, they say thou hast
to love! Of the close

man clearly said to me!
Yes! It 's true! You love me! Yes!
You love me ... 'Tis true!

Verses certainly not worthy the pen of Dante - poetry, let us say, stupid enough, although there consuls thought to know that the original Germans surrender idiocy nothing to the Italian version. But who cares who sings the verses and sung and returns to sing the reasons for the great Franz? But if thou hast of love from the regulator had written Tatar-tara nothing would go down the drain of the waltz, because in those notes, "there is that there is" - and a few bad words are not enough so that adaptation to rhythmic destroy its contents.
The same is true of Vilja: Vilja One lived in a forest - and more beautiful if she had none! - One day, passing by, he saw a hunter - she suddenly kindled in love! And in the second stanza: But at last satiated with kisses, the Nymph odd ... Vilja! O Vilja! O Nymph of the forest - I give you my heart - you give me your love! Vilja O Vilja! you want to be me? Langi of love for you! Words ..... poor things (and we hope that publishers will follow those of operetta film in requiring reductions Italian ,.... good paying course) but if you notice that when a 'lehariana orchestra and a choir of sixty voices harmonized beautifully and counterpoint are viewers see and hear the leafy woods, the scent of the forest flowers, the murmur of the brook, the nymphs white ..... fleeing naked in the trunk and leaves, Vilja capricciosissima, hunter fan? In the final seconds
Danilo sings the resumption of Maxim: Maxim
Vo
even assiduous patrons! I'm
con le dame, là.
in piena intimità!
Clo-Clo - Margot - Fru-fru,
Lo-lò - Dodò - Jou-jou,
la cara patria mia
dimenticar mi fan!

Sono gli stessi versi del primo atto, sulla stessa musica, ma... Ma un tratto di penna di Lehar ha passato un contrappunto ai corni, uno al fagotto, un terzo, infine, alle trombe in sordina. E quello ch'era un motivo allegrissimo di ubriaco, cantato da un ubriaco allegrissimo nel primo atto, diventa uno scoppio di disperato dolore al finale secondo, ed il tenore che ha riso un'ora prima di tutte le donne e di tutti gli amici, ora singhiozza per quella sola che ama con tutta l'anima — e che sente di non poter ottenere più mai.
Come all this mean? How to express this infinite wealth of music, mood and technique, profuse profusely from a composer at all scialacquone and treasurer of his genius? Certainly not the conductor can stop his team and tell the public: Be careful here. There is this to be admired, for these reasons. And the whole complex perfect harmonious beauty of the score runs like a raging torrent that overwhelms and conquers the listener more to suggestion than by persuasion. The success of the widow, full, absolute, undeniable, it can be called an episode of bullying, an intellectual of all.
It admires the widow because she is beautiful, it is going to suffer because they like it, enjoy, excited. But because she is beautiful because it is fun, because it moves, because like, nobody could say it before.
Before now, because now Stroheim told us, with its Merry Widow.

And - what I am made all masters - the company must not have been very difficult to implement for an artist like Stroheim, who has given us, with Wiwes Foolish (Leave Her to Heaven) the its capabilities. With passion and precision of interpreter-creator set out to make everything cinematically Lehar said musically. and, with his talent, even for the media Fantastic made available by the Metro-Galdwyn-Mayer for the ingenious collaboration of Murray, Gilbert D'Arcv. Marsh's (operator, this high-class) is fully successful. Example
. The official teutonicizzata era, is it not admirably described by the song of the election in the first act (Anna and choir men).
And well, if you intend to cast my vote
Be it so: will the election ...
and men in unison in response:
with shaking,
propagating ... Lady
my program
here it is!
Vote for ...
- Cascada!
Vote for ...
- Saint Brioche! The tune

the vote, you could say one of the best ... Fathers fox Trott, seems to see them pull out the officers in white jacket and red pants, boots, slicked spurred, fragrant incaramellati, and crowding around a rich and beautiful young woman, anxious to possess all the treasures ... The
Vilja. It 's the Pontevedra you sing, are its mountains, its forests, its rivers, its women, its pastors who seem to draw on the seabed. formed by sound waves. And Stroheim was able to give us a Pontevedra with everything we had done our imagination to think of us: and then the magical landscapes of beauty, grace sweetest of women, types of delicious mountain glittering parade on the screen. And so, everything is musically cinegraficamehte said operetta is done by Stroheim.
Murrav Mae is in his position: first, beautiful woman, beautiful statue of flesh in the second place, and then master of elegance, charm carries doll clothes so beautiful that ... almost ask them not to undress the mannequin delicious, actress, perfect and complete, deep, spasmodically Slavic, as is Anna Glàvari as Franz Lehar wanted to create it. A close-up scene in the dressing room, between Anna and Danilo, an involuntary smile to the determination of Daniel to sleep where he is and how it is only because, he says. is tired, it is sufficient to classify glans of the most actresses of cinema. The scenes of the first night of marriage with the old Glàvari, those of his vain resistance, and no less vain escape in the rainy night he is and is not prey to Danilo, are significant of expression and feeling. We mention this not because they are especially superior to others - that all the interpretations, leading to the last generation, is very homogeneous - but to name a few.
John Gilbert is a revelation in this film. Correct, elegant, full measure and good taste will be more victims in the weak hearts of Valentino women. Roy d'Arcy is superb in his part of the civilized cannibal, and succeeds in full view to become obnoxious, which, for an actor specialized in bad part, is a magnificent success. Tully Marshall in the old Glàvari, Fawcett in the old King, they are excellent. All other worthy of all praise. The
photography, Olier Marsh, excellent.
Metro-Goldwyn-Mayer can be proud, and good Curioni can with every right to put on a little air of sufficiency, because films like The Merry Widow one sees very few in America.
Conclusion: Happy Lehar not remains to satisfy anyone else. Yet many are and will be happy: Stroheim first, then its funders, then then the Metro-Goldwyn-Mayer and Italian- Curioni the dynamic.
await the verdict of the visitors, but we are sure to Prognostic for Merry Widow film a success rate higher than the Merry Widow operetta.
And sorry if it is little.
Guglielmo Giannini (Widow llegra - Metro Goldwyn Mayer - Victor Leon and Lee Stein - Franz Lehar - Eric Von Stroheim, Mae Murray - John Gilbert - Roy d'Arcy - Oliver Marsh-In private screening in Rome, Kines, October 14, 1926)

Mature Women Calendars

IVC

Detecting PD in the journal and ledger accounts in the following management operations.

a. The 25 / 2 will be charged an outstanding claim of 1,500 € on which accrued interest for 15.40 €, 800 € in cash is received and the difference con assegno bancario; l’assegno viene girato a un fornitore in data 28/2 a saldo di un debito di 720 euro. [0,75 punti]

25/2
D cassa 800
D assegni 715,40
A crediti insoluti 1500
A int attivi di mora 15,40
d.d.
D deb v/f 720
A assegni 715,40
A rib. attivi 4,60

b. Il 10/3 si emette fattura di vendita di merci per 6.515 euro + IVA; a saldo si ricevono 500 euro in cash, a money transfer of € 2,000 and € 5,300 for a promissory note with a maturity of 31 / 5. On 10 / 5 the promissory note is sent to the bank for collection, the 6 / 6, the bank shall place the proceeds of the bill by crediting the account, charging the costs of collection for 5 €. [1 point]

10 / 3
Credits V D / C 7818 A
goods c / v 6515 ns deb
Iva A 1303 case
dd
D 500 D
bank account
2000 D 5300 Bills active
D Discount and quite pass 18 credits
A V / c 7818

D 10/05 Bills for collection bills active in 5300

5300 6 / 6 DC
bank account
5295 D 5
A collection costs for collection Bills 5300

c. No invoice received 15/03 85 by John Merli supplier for the purchase of goods for € 7000 + VAT, 3% discount + 5% unconditional, delivery ex works, in the bill are charged flat rate shipping costs for 112 euro, regulation against acceptance of the draft is June 30, [ 0,75 points]

15/03
goods c D / a D iva
6565.5 1312.5
To our credit debt v / f 7875
dd
payables D / A bills passive
f 7875 7875

d . 18/04 bought by Goodimp spa facility, as per Invoice No 95, € 30,000 + VAT, installation and testing of € 1,500, payment by bank half and half with Ri.Ba. 60 days including interest on deferred payment at 4.50% rate charged on the invoice. The bank charges 3 euro for transfer fees, [0.75 points]

18/04
D facilities
31500 int D expense 139.81
D iva debt to our credit
6300 v / f 4.18 7819.81
debts
D v / D f 18900
bank
3 A c / bank account 18903

e. Telecom invoice received 20/04 for telephone charges of the previous two months for 250 € + VAT, regulation by bank account, [0.5 points]

20/04 D
telephone charges 250
D iva ns credito 50
A C/c bancario 300

f. 30/04 ricevuta fattura n. 115 dal fornitore Conti per acquisto di materie di consumo per 415 euro + IVA, il saldo avviene mediante giroconto postale di 495 euro; [0,5 punti]

30/04

D materie di consumo c acq 415

D iva credito 83
A posta c/c 498

g. Il 10/6 si riceve fattura per acquisto di merci per 12.000 euro + VAT, the balance is on the same day by bank transfer to half and half with acceptance of trafficking in two months. The bill is settled at maturity by issuing a bank draft received by the bank on the same day. [0.75 points]

10/06
goods D c / D tax credit to 12000
2400
A bank account in 7700
bills passive
7700 7700 09/07
D checks
A bank account 7700
dd
D passive Bills A check
7700 7700

h. 17/06 extinct Ri.Ba. due via bank account, [0.25 points]

17/06
D payables / f 19039.81
A bank account 19039.81

i. 30/06 extinct is due via bank account. [0.25 points]


D 30/06 7875
AC bills passive bank account
7875
j. 09.11 cashier's check received by the customer Proietti srl di 2.400 euro quale acconto su una fornitura di merci ed emessa fattura n. 357 relativa all’acconto, IVA ordinaria; ; [0,5 punti]

11/09
D assegni 2400
A crediti v/c 2400
d.d
D Crediti V/c 2400
A clienti c acc 2000
A iva ns debito 400

k. 18/09 ricevuto bonifico di 27.800 euro a saldo fattura n. 56 sul cliente Giardina & C. snc di 27.815 euro; [0,25 punti]

18/09 D

bank account 27800 and quite passive rib
D A claims
15 v / c 27815

l. 20/09 furnishings purchased for 30,000 € + VAT as per Invoice No 381 of Mobilarredo Ltd., sold the old furniture, the historical cost of € 25,000 and amortized at the date of the sale of 90%, at a price of € 2000 + VAT. During the day the supplier's invoice and receipt issued Invoice No 358 for the sale of the furniture. The settlement is by accepting a question, [1.5 points]

20/09
D Furniture 30000
D iva A 6000
our credit debt v / f 36000
dd
D amm F.do furniture 22500 furniture 22500

D dd D
loss
500 500 A furniture
dd
D Credits comm different
2400 2000 A furniture
A vat ns Debt debts 400
dd
D v / f 36000 Credits
A different comm 2400
A passive bills 33600

m. 22/09 invoiced No 359 customer Proietti Ltd for the sale of goods of € 7,800 + VAT on the invoice, which is considered the down payment of 11 / 09, are charged for transportation costs not documented for 100 €, the bill is settled by issuance of a promissory notes to 60 days; The promissory note is submitted to the discount on 25/09, the bank credits the amount to charge fees on 28/09 for 30 € and interest at 3% [1.25 points]

22 / 09 D
Receivables from customers c D c
7080 acc 2000
A goods c/v 7800
A iva ns debito 1180
A rimborsi costi di vendita 100
d.d
D cambiali attive 7080
A Crediti v/c 7080
25/09
D cambiali allo sconto 7080
A cambiali attive 7080
28/09
D c/c bancario 6993,75
Commissioni banc 30
D int passivi 186,25
A cambiali allo sconto 7080

n. 28/09 anticipati in contanti al vettore Velox srl, in nome e per conto del cliente Daniele Cocci, costi di trasporto per 100 euro + IVA; successivamente emessa fattura n. 360 per la vendita di merci di 3.500 euro + IVA; in fattura sono addebitati anche i costi precedentemente anticipati al cliente; regolamento immediato con bonifico bancario; [1 punto]

28/09
D Clienti c spese ant. 120
A cassa 120
d.d.
D Crediti 4320
A merci c vendite 3500
A iva ns debito 700 A customer anticipated expenses
c 120

2009 Best Blu Ray Player For Upconverting

Albatros da Parigi a Pordenone

is not the first time that the Pordenone Silent Film Days devote due attention to this important company closely linked to Nascita della mitica French Cinematheque, come ricordava Georges Franju:
"Langlois knew Paul-Auguste Harlé , editor of The Film French, to whom he had come to present my poster design. The result was qu'Harlé we gave ten thousand francs to buy copies in distress and we had recommended to Alexander Kamenka, who runs the company Albatross. Different stocks came later enrich the collections of the film library, but the stock Albatros consisted only of quality films: Epstein, Dulac, L'Herbier, Renoir, Clair, the Russian Ecole de Paris: Volkoff, Mosjoukine, j'oublie que d'autres, ce dépôt capital, C'était de notre base Cinémathèque "(Jean-André Fieschi et André-S. Labarthe, Nouvel entretien avec Georges Franju, Cahiers du Cinéma, November 1963) Jean Mitry
wrote that Films Albatros "was the honor of the French production of the last years of silent cinema, and René and Jeanne Charles Ford Albatros accupa consider that a place of honor in the history of French cinema: "without the Russian Revolution, which brought the troupe of actors and technicians in Paris Ermolieff vitality the period 1920-1929 would not be the same again "and" no French company contributed a similar effort, nor thought of undertaking. "
Ermolieff Joseph, who had started his film career as an assistant projectionist Maurice Hache, director of the company Pathé Frères in Russia, soon became director of Pathé branch in Baku, and then one of the largest Russian producers of directors as Vassili Gontcharov, Tcheslav Sabinski, Yakov Protazanov, Vladislav Starevich. The production house had Ermolieff offices in Moscow, Paris and Yalta, while maintaining its ties with the Pathé, and not just in distribution.
"Unfortunately, the revolution broke out, - Charles Pathé writes in his memoirs - everything was confiscated, including a large proportion of the assets Ermolieff.
arrived in France, Pathé give in the old film studio in Montreuil-sous-Bois, who had directed Ferdinand Zecca until the outbreak of the Great War.
arrived with him in Paris a bit 'at a time directors such as Alexander Volkov, Jacob Protozanov, Viatscheslaw Tourjansky, and actors like Ivan Mosjoukine, Lissenko Nathalie, Nathalie Kovanko, Nicolai Rimsky. Among these emigrants was the actor and producer Alexander Kamenka, the son of a banker and a graduate of the University of Petrograd. In August 1920, Kamenka became president of production house, and Ermolieff CEO. The French production, which began in 1920, immediately gained a huge commercial success and critical acclaim. In 1922 Ermolieff left Paris with Protozanov, Asagarov, Striljevsky and others to settle in Berlin, selling his share in Kamenka, Hache Maurice Bloch and Noe. In December of that year, advertising the film The Answers , directed by Tourjansky, is subtitled: "A film français", and under the logo of ' Albatros (see the image in post), written Ex- Ermolieff and the phrase: "Debout malgré la tempête”. Secondo alcune fonti, il logo della compagnia (autore ignoto) sarebbe un omaggio al nome della nave dell'espatrio da Yalta, per altri, si tratta del simbolo della Russia Bianca, altri ancora che si tratta del ricordo di un albatros che cadde sul ponte della nave e riuscì comunque a riprendere il volo, ecc.
Quando Bloch lascia la compagnia, settembre 1924, Kamenka la riorganizza e la converte definitivamente in Società Film Albatros .
Inizialmente, Albatros si limitò a lavorare nel suo entournage russo, ma dal 1924 Kamenka invitò a collaborare personaggi come Jean Epstein, Marcel l'Herbier, Jacques Feyder, René Clair, e con loro starting with the film specifically "French". Since 1925, creating the film with a great show to ensure the international department profitabil production. Even for these films became the famous' Albatros . Since 1927, he began the new policy of co-production: Lèvres closes (Albatros- Svenska ) Comtesse Marie (Albatros- Julio César ), Les Nouveaux Messieurs (Albatros- Sequana) , Cagliostro (Albatros-Wengeroff) .

This, in outline, is the great little story Albatros . The film showed that it is a world without borders, secondo me, uno dei segreti del suo successo, la sua Essenza, the sound of infinite possibilità intercambio cultural. Per sapere di piu
, mostra virtuale visitate the Albatross Russian Cinema in Exile - The Adventure Films Albatros della French Cinematheque: The archives; Albatross and the decor, the art of the poster. In due sezioni di questa mostra virtuale (How to restore the films by Camille Blot-Wellens, director of collections at the French Cinematheque film, The world of e Ivan Mosjoukine by Stephane Bouquet and writer writer) potete vedere alcune immagini dei film video Albatross . The French Cinematheque
has undertaken a few years ago the research, cataloging and reorganization of the archive Albatros , and restoration, in cooperation with other archives, films, do not miss the opportunity to see some of these renovations to Pordenone Silent Film Festival of Pordenone 28th edition : Albatros, from Russia to Paris, and 3 to 10 October 2009 in Pordenone!

Table De Riz Armée

Anna Pavlova alle Giornate di Pordenone The four 2009

Continuing with the program of the Pordenone Silent Film Days 2009, one of the sections commemorate the centenary of the company's first tour of the Ballets Russes, directed by Sergei Diaghilev.
films of the section are: La Danse du Flambeau (Les Films du Lion, FR 1909), with Tamara Karsavina; Pas de Deux et Suns (Les Films du Lion, FR 1909), with Alexandra Baldini, Theodore Kosloff, and 18 minutes of footage of Anna Pavlova (six short dances) in the 1924, during a visit on the set of Thief of Bagdad, starring Douglas Fairbanks. For more details, refer to the festival program .

(Errata: The two movies are presented in Pordenone Compagnie des Cinématographes The Lion, Jacques de Froberville, and Jules)

And now, the first part "vintage" in 1929 to Anna Pavlova, a small premise.

Dear Bryony Dixon, curator of the National Film and Television Archive, British Film Institute, London, and David Robinson, director of the Pordenone Silent Film Days,

I do not have the pleasure to personally meet Mrs. Dixon (I saw last year in Pordenone, but not I who could introduce me), so I did not know how to approach her. I just wanted to say thanks for the wonderful movies that I could see Anna Pavlova (twice) in the Days of Pordenone last year.

always come back to review Pavlova, two, three or four times ... this year, so I would ask you, as a curator at the National Film and Television Archive, and David Robinson, director of the Pordenone Silent Film Days, the chance to see The Dumb Girl of Portici , the 1916 Universal film, starring Anna Pavlova. I think a copy, the only surviving copy is at the National Film and Television Archive.

guess it is too late for this edition of the day, perhaps in the edition of 2010.

Thanks in advance to you both. Closed

the premise, Anna Pavlova, Corriere della Sera, Milan 1929:

"Three hundred thousand miles traveling together, tremilaseicentocinquanta representations and evidence more than two thousand sixteen years together ... Of course, should know well his Pavlova, Theodore Stier, director Music for many years and many miles of the Diva. But he does not claim to space in the genius of the dancer, there is a library, now showing his art, apart from the consecration of the public? So Theodore Stier ( Pavlova Around the World With , Hurst and Blackett, London) turns to illuminate the "its different but infinitely charming personality and to report some curious and amusing incidents occurred from time to time in our journey together. For although much has been written of the dancer, little has been published for private life of an artist, the energy of which is as amazing as his genius for friendship is remarkable. "A 'Comrade' genuine, the Pavlova. E Stier had the opportunity to meet you. Dandri, her husband was almost always absent on the business of the Company, or in Russia, where he had his base of art, or some stage before preparing the 'tour'. The artists, almost exclusively from Russian rule, did not speak unless their language, and Stier, very good linguist, as well as conduct the orchestra, was to be the staff officer, the interpreter, the herald of housing throughout the company. And the knight and the cicerone of the Pavlova. In full confidence:
"My father died when I was two years - tells the Pavlova to Stier, - and for the rest of my childhood days and nights My mother's were spent in a dark endless struggle against poverty. "

In eight years, returning home from the theater, where he saw The Sleeping Beauty , decides:" Now I know, Mom, what will I do. I'll be a dancer. And it maintains its decision with a tenacity that wins of all opposition, every obstacle, with the tenacity that makes her triumph in Stockholm, Paris, Berlin. London did not notice her. At times, this huge metropolis that pushes so far its radiance is an abysmal ignorance about what happens elsewhere. It 'a fault and its strength.
agent in London, suddenly: - Well, Miss, what can I do for you?
- I are Madame Pavlova.
- Oh, gosh ... And what do you do?
Pavlova (patiently): - I'm Anna Pavlova.
- This does not mean anything in my young life. What do you do? Acting, singing, dancing? Pavlova (with even greater patience): - dance.
Agent (with animation) - Dance? Well, come tomorrow morning about eleven o'clock and bring your jerseys.
The cold heart of stone from London to the first contact. And now, the Pavlova is never more at home as in London, in the lovely Ivy Home, Hampstead was Turner, choreographer of light.
"In my innocence I imagined that I am directing a dance, the dancer's feet would follow the music according to my interpretation. Dead wrong. The dancer's head and eyes of the director are "glued" to his feet. Like many prominent directors have discovered with their regret, any other method leads to a lack of synchronism is disastrous for the artist. " What
Stier leads to an obvious association of ideas, to tell of its friction with the Pavlova. "To be frank, sometimes the Pavlova was not as dazzling as it could have on other occasions since, like all her sisters and all his brothers in art, it is extremely sensitive and prone impulsivity."

Memo to the generosity of impulse Pavlova gets its first misconception con Stier. A Nuova Orléans, la Compagnia offre alla danzatrice una coppa per il suo compleanno, una di quelle che gli anglosassoni chiamano loving cups, o d'amore o d'amicizia. Ed ella fa organizzare dal maestro un grande pic-nic al quale tutta la Compagnia ha da partecipare e la coppa d'amore da essere inaugurata. E Stier dimentica la raccomandazione della Pavlova che vi sia champagne: vi sono vini leggeri e liquori, ma non champagne. Alla rivelazione, la Pavlova guarda Stier con l'espressione di chi veda tutto il suo mondo crollare alle fondamenta. Da quel momento, la scampagnata fu irrimediabilmente rovinata, il pic-nic un orribile insuccesso. Ritorno tristissimo: appena in automobile col maestro, la Pavlova scoppia in lacrime. Breve, penosissimo silenzio by the teacher who finally try a consolation
- After all, who ever the world wants to drink champagne at 4 pm?
It turns shooting at him with an aversion infinite
- You say to absolve you from your laziness. - And ordered the chauffeur to stop. - Please, not another word. Get off of my car immediately.
The teacher understands that there is ribatter and word gets out and returns to town on "Coach" of drivers, the last of the parade. Two nights later he knocks on the dressing room of the master. It is the Pavlova with arms outstretched:
- A hug, a teacher, and make peace.
goodness, sincerity, inability to take the villains to resentment if not, honesty of thought and expression is unequaled.

generosity and fraternal solicitude to the comrades in need of art. Someone took advantage beyond the measure of honesty. The sake of art that comes with a hard right and inflexibility towards others and even more from it. A tension that requires rest and distraction: getting lead slowly across the countryside, absorbing, in all their beauty, the colors of the fields and hedges and flowers and shapes and movement of clouds, because she is amazingly sensitive to color and to form. Interesting and surprising: not very fond of books, prefer art galleries, museums, old churches. But the favorite pastime is modeling clay. "The world, earning his greatest dancer, a sculptor has lost a little less. "This aversion
stronger? That of the importunate who want to impose all the costs of their presence. In Montecatini two ladies decided to make his acquaintance, who persecute her tirelessly. It's likely that the Anglo-Saxons picturesquely called "hunters of lions (or lionesses)" One evening at the theater in a while, knock on the door of the stage of Pavlova (with Stier) and enter smiling, "Sorry to disturb, but we could not leave without shaking Montecatini hand the famous Pavlova. "
The Pavlova halyard with a mask of ice and a cold look even more:
- My name is Madame Dandri. I do not know the lady of whom they speak. I do not want the honor to meet them. Favor to get out of my box. In London a
enriched vulgar, foretells that friends will dance the Pavlova with a receipt. And then deal with you: the money? Five hundred pounds. The enriched protest: five hundred pounds is a lot for five or six minutes of the show.
The Pavlova is inflexible. And the enhanced yields spitefully: - As I told my guests that you will dance, nothing if I do not bend on terms that I find exorbitant. And
Pavlova, generously
- If you do not insist because I dine with your friends, reduce the price to 300 pounds ...
money I always go well, there is an asylum of orphans in Paris, who thinks the Pavlova.

One day in Caracas, the famous President Gomez gives it a jewel on the casket of red velvet, as Anna Pavlova is traced with gold coins $ 25 each. And thanks
Pavlova General and adds air monellesca:
- This is the first time in my life that I regret to call Anna Pavlova ...
Gomez's face becomes a question.
- I'd like at this moment - the artist continues, - Anastasia Edvardova Karavanskaia to call because my orphans would be the richest ...
strange people, strange countries go in the book: Commissioner Mexican ensures timeliness of theater (in Mexico are angry for this kind of punctuality), driving a huge revolver under the nose of directors, the Japanese orchestra which took four hours to perform the overture to Rosamunde Schubert (seven minutes of music), Singapore, Manila, Rangoon, Calcutta, Egypt, Spain, Belgium. And the Kaiser's deep voice that breaks the silence of a formal representation of the Court: "Wunderful! Wunderful! Bravo! Bravo! And the imprint of her lips scarlet Pavlova's glove on the Kaiserin immaculate: a mark of blood. In May 1914. The mayor of the small town in Kentucky, going to the station to receive the distinguished guest:
- I say, madam, you play cards?
- Sometimes ...
The mayor, rat like lightning, he rummages in his pocket, hunting two decks in the hands of astonished Pavlova:
"I sell papers ... '
And later, to the hotel, Stier: - I say, what is the lady? Sing or play?
E Stier shocked to explain that it was the world-renowned dancer. And the mayor
- Maybe dancing for three hours straight?
A funny book. E Stier? Stier is a bit 'in a bit 'off, but there is always tutt'ordine and method and composure and fidelity and devotion, but in an atmosphere of subtle humor, with some spark of mischief ...
Oreste Rizzini

Lost Wireless Network Card Antenna

right of Edgar Wallace's novel in Pordenone

"Some Like yellow" is the title of an event that is celebrated in Brescia but I would add that in the case of film you could say "In the movie: a lot like yellow ", or" yellow always like the movies ", given the success of this genre since the early, early days of cinema. If you are a fan on / in the genre, the program of the 28th edition of the Days Pordenone Silent Film Festival, October 3 to 10, seems made to meet a lot of curiosity.
Two of the greatest exponents of the genre: Sir Arthur Conan Doyle and Edgar Wallace, a beginner (in film) are waiting for you.

Sir Arthur and his character Sherlock Holmes did not need any introduction and continue to fill the screen (and the cinemas, so the box office) to each new adventure. Even those invented out of whole cloth, like the last Sherlock that will soon be in Italy. The exhibition in Pordenone, Sherlock and Beyond: The Detective in British Silent Cinema , presents a dozen films, from 1909 to 1924, never seen in Italy. Okay, maybe my grandfather, avid admirer Holmes, remembers that her father told her about that film ... But I have some doubts. In any case, view it on the big screen is better than nothing. Maybe make them into DVD, but it is certain that we have to wait another few years.

As for Edgar Wallace, the section Tribute to the British Silent Film Festival presents a the 1921 film version of the famous Four Giusti (The Four Just Men). I may be wrong but I think the first one. The novel is 1905. Even
Wallace needs no introduction, it was said many times that his life itself is a novel style Wallace, "and I add that it is a very cinematic biography. Born in London in 1875. Wallace had an eventful life that. Reuter's war correspondent in the campaign against the Boers (1899), and the Daily Mail in South Africa (1900), journalist and editor of its newspaper in Johannesburg. At the outbreak of World War I became a correspondent for the Birmingham Post. I would like to emphasize his profession as a journalist - even a journalist bully, because he had to leave the Daily Mail to have caused several articles with some of his complaints against the newspaper - because I believe it is essential to understand its success. Journalism then, as now, it needs to attract as much as possible and by all means the public's attention, to explain the facts in a language quick, concise e. .. popular. And this in the novels of Wallace made sure the school. Bryony Dixon
As rightly pointed out in his introduction to the film: "They say, in the twenties, one quarter of all books that were read in the world had been written by Edgar Wallace," adding that he has exerted a profound influence on cinema , where he debuted in 1915 as a writer. The final screenplay was King Kong, but only fifty-seven years Wallace died in 1932. In about twenty years of activity as a writer wrote thirty plays, four novels and one hundred and fifty novels.
view of what is written above, I refer you to the home page on the website of the film festival. The argument, where newspapers and journalism out there, has some ideas for beating the full news: "This thriller tells the story of four shots, threatening to kill the foreign minister, Sir Philip Ramon, if he will approve a law on extradition of foreign nationals making it possible to expel asylum seekers from England, sent them to certain death at the hands of tyrannical governments. Not coincidentally, the novel was published in 1905, the year that Britain was approved Aliens Act, which included provisions that allowed the deportation of "criminal" and undesirable. "
If you have any questions for go see this film I propose the phrase on the cover of the books in Italy Wallace: "Wallace is irresistible."

Wedding Messages Islamic

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VERIFICATION OF TOURIST ECONOMY

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• limits turnover of a company of services for ordinary accounting are:

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• limits turnover of a hybrid company (both productive services) to the ordinary accounting are:

  • 309,874

  • 516,457

  • 300,000

  • 602,652

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• Registering for VAT invoices in question: by annual or periodic payment
  

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For the Civil Code are the statutory registers journal log of inventories and the company's books we add the records required for tax legislation that records the VAT register depreciable assets on the writings of stock and ancillary records. (Logs are required also for the staff but we have not processed yet)

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• journal: Annota tutti i fatti gestionali in ordine cronologico secondo il metodo della partita doppia
  
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I registri iva e quello dei beni ammortizzabili

Che cos’è il piano dei conti? Com’è organizzato? [2 p.ti]

The chart of accounts is a table that welcomes all the accounts that the accounts of a company uses. It is therefore customized by each company according to its nature, the chart of accounts must be able to describe all the results of operations significantly. The accounts are usually grouped into categories that coincide with the budget structure, both groups that the accounts are encoded in a progressive manner with a number, the first number identifies the group that owns the account according to the account itself. 1.1 Example code refers to the group 1 (loans to members) account 1 (c shareholders / subscribe)

In the chart of accounts are accounts natura finanziaria e conti di natura economica, come si fa a riconoscere i conti di natura finanziaria e come vengono registrate le loro variazioni? [3 p.ti]

I conti finanziari fanno riferimento tutti a ad elementi finanziari cioè ad elementi che rappresentano la moneta, quindi: moneta, conti correnti, titoli di credito/debito o crediti e debiti. Le loro variazioni vengono registrate in dare se sono aumentative dei conti finanziari attivi o diminutive dei conti finanziari passivi o in avere se sono diminutive dei conti finanziari attivi o aumentative dei conti finanziari passivi

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Deadline comunestabilita

SCADENZA ADEGUATA
IN QUESTI PROBLEMI SI DETERMINA THE DATE ON WHICH YOU CAN PAY AN AMOUNT EQUAL TO THE SUM OF THE MOST 'capital with different maturities. INTEREST OR DISCOUNTS THAT SHOULD BE CALCULATED ON INDIVIDUAL CAPITAL cancel each other out. THE SUM TO BE PAID TO THE APPROPRIATE DEADLINE IS, THEREFORE, THE AMOUNT OF CAPITAL.
MY PROBLEM 'TO FIND WHEN YOU PAY

TERM STABILITY
COMMON PROBLEMS COMMON FIXED TERM IS DEFINED CAPITAL ONE THAT a fixed date is agreed between creditor and debtor, SARA' PAID IN LIEU OF TWO OR MORE CAPITAL different maturities.
DIFFERENT CAPITAL IS TRANSFERRED IN TIME AND ORIGIN, ACCORDING TO CIRCUMSTANCES INTEREST OR DISCOUNTS. FACT MAY DAY ESSERE DI ANTICIPO O DI RITARDO RISPETTO ALLA SCADENZA STABILITA.
IL CALCOLO DELLA SCADENZA COMUNA STABILITA E’ UN PROBLEMA DI QUANTO VERSARE

ESEMPIO DI SCADENZA ADEGUATA

DETERMINARE LA SCADENZA ADEGUATA DEI TRE SEGUENTI DEBITI
25840 CON SCADENZA 10 MARZO
15650 “ “ 12 APRILE
22700 “ “ 9 MAGGIO

CAPITALI SCADENZE GIORNI NUMERI
25840 10 MARZO EPOCA -
15650 12 APRILE 33 516450
22700 9 MAGGIO 60 1362000
TOT.64190 TOT.1878450

TROVO I GIRONI DI RITARDO DALL'EPOCA (E 'A KIND OF MEDIA)
TOTAL NUMBER TOTAL CAPITAL 1878450:64190 = 29 GG


29 days to be added at the time. THEREFORE March 10 + 29 days = April 8 April 8

= PROPER EXPIRATION

EXAMPLE OF COMMON FIXED MATURITY

DETERMINE THE AMOUNT PAYABLE AT MATURITY OF THE TOWN March 12 STABILITY OF THE THREE FOLLOWING DEBTS (RATE OF 3%) 25,840
WITH DEADLINE March 10
15,650 "" 22,700
April 12 "" 9 May

CAPITAL DEADLINE DAY NUMBERS
-2 -11 680 25 840 10 March 12 March

TIME April 12 15 650 33 22 700 516 450
May 9 60 TOTAL 1,866,770 1,362,000
TOT.64190

Now multiply THE SUM OF THE NUMBERS FOR THE DIVIDEND RATE TO 36,500 THIS 'nomal A FORMULA OF INTEREST (CAPITAL X RATE X TIME / 36,500)

1866770 X3: 36,500 = 153.43 EURO

THESE ARE THE INTEREST TO BE ADDED TO CAPITAL

promissory 'THEN 64,190 +153.43 = 64,343.43

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allocation II C



Today we rehearsed the allocation if you need a summary here it is!

I drove off. The allocation

are mathematical operations that enable the sharing of values \u200b\u200band proportion of data items. These mathematical operations will prove crucial in determining the share of costs incurred in the consortium works. The allocation can be basically five types: simple direct
Allocation;
distributed simple inverse
composed Direct Allocation;
composed Allocation inverse
Allocation mixed (simple and compound).

distributed simple direct.
The sum to be distributed will be divided in direct proportion to one set of data. We will indicate with S the sum to be distributed; shares distribution with X, Y, Z such quotas should be divided in direct proportion: x-a; ab Y, Z ac
It will set many shares as there are proportions of allocation:
S: (a + b + c) = X: S
to: (a + b + c) = Y: b
S: (a + b + c) = Z: c

As you can see the first part of each proportion is the same and this is called a fixed quotient. For the fundamental property of aspect ratio (the product of the average is equal to the product of the extremes):
X = S (a + b + c) to
* Y = S: (a + b + c) * b
Z = S: (a + b + c) * c

is equivalent to multiplying the quotient fixed making it possible for data sharing.
Qf Qf
X * a = * b = Y c = Z * Qf

Logically X + Y + Z = S.

eg four owners of land adjacent farms (and similar surface) decide intrapoderale the construction of a road that links them to market more quickly and easily. The cost of 50 million pounds will be divided in direct proportion to the length of the stretch of road used by each landowner.

The owner uses X 260 m, the owner uses Y 320 meters, the owner uses Z 390 m, the owner uses 450 W m Determine the shares of expenditure due to each owner.
Qf = 50000000 / (260 + 320 + 390 + 450) X
Owner: Qf * 250 = £ 9,154,930
Owner Y: QF * 320 = £ 11,267,605
Owner Z: QF * 390 = £ 13,732 .395 W
Owner: Qf * 450 = £ 15,845,070
Logically, the sum of the shares of expenditure due to the various landowners will be £. 50,000,000

distributed simple reverse.
The sum to be distributed will be divided into a inversely proportional to a single set of data. S denote the sum to be distributed with X, Y and Z shares allocation, allotment in that X is divided in inverse proportion to a, Y will be divided in inverse proportion ab, Z will be divided in inverse proportion, and c .
take the reciprocal of the data problem, we transform the division into simple direct, so the quotient will be fixed:
Qf = S / (1 / a +1 / b +1 / c), multiplying by the reciprocal of the Qf data making it possible the division, you will get the shares allocation:
Qf * 1 / a = X
Qf * 1 / b = Y
Qf * 1 / c Z =
Logically, as detto per il riparto semplice diretto, la somma delle quote di ripartizione deve coincidere con la somma da ripartire, ovvero: X + Y + Z = S

p.e. quattro allevatori decidono la costruzione di un pozzo per abbeverare il bestiame al pascolo. Il costo per la costruzione del pozzo ammonta a £50.000.000 che verrà suddiviso in maniera inversamente proporzionale alla distanza media di ciascun pascolo dal pozzo stesso. Il pascolo del primo proprietario dista 230 m; il secondo dista 350 m; il terzo 540 m; il quarto 270 m.
Determinare le quote di spesa spettanti a ciascun proprietario fondiario.
Il Quoziente fisso sarà: 50.000.000 / (1/230+1/350+1/540+1/270)
Il primo allevatore pagherà: Q.f.* 1/230 = £. 17036235;
the second keeper: Qf * 1 / 350 = £. 11195240;
the third keeper: Qf * 1 / 540 = £. 7,256,175;
the fourth keeper: Qf * 1 / 270 = £. 14,512,350.
The sum of the allocation will be: £. 50,000,000

Direct Allocation compound.
The sum to be distributed will be divided in direct proportion to two or more data series. S denote the sum to be distributed with X, Y and Z-sharing quotas, in this division:
X will be divided in direct proportion to ael;
Y will be divided in direct proportion abem;
Z will be divided in direct proportion ace m.
the quotient will be fixed: S / (l + a * b * c * m + n), as already seen for other forms of allocation:
Qf * (a * l) = X +
Qf * (b * m) = Y +
Qf * (c * n) = Z =
Logically: S = X + Y + Z

eg four owners of farms adjacent to decide intrapoderale the construction of a road that links them to the market more easily. The cost of 50 million pounds will be divided not only a direct proportion to the length of the stretch of road used by each owner, but also to the surface of each fund.
The first owner has used 150 m sup. 15:40:30;
the second owner uses me has 230 sup. 30/08/1990;
the third owner uses me has 360 sup. 25.90.80;
the fourth owner uses me has 470 sup. 9.90.50.
determine the share of expenditure of each landowner.
Qf = 50000000 / (150 * 15.403 * 25.908 +230 +360 +470 * 8.309 * 9.905) The first owner will pay
: Qf * (150 * 15.403) = £. 6,346,080;
the second owner will pay: Qf * (230 * 8.309) = £. 5,249,110;
the third owner will pay: Qf * (360 * 25.908) = £. 25618020;
the fourth owner will pay: Qf * (470 * 9.905) = £.
The sum of 12,786,790 shares of breakdown is: £. 50,000,000

Allocation compound reverse.
The sum to be split will be distributed in inverse proportion to two or more data series. S denote the sum sa start, X, Y and Z-sharing quotas, in this allocation:
X will be divided in inverse proportion to ael;
Y will be divided in inverse proportion abem;
Z will be divided in inverse No proportional ace
take the reciprocal of the data making it possible the division, the division will turn composed of composite reverse direct. So Qf = S / (1 / (a \u200b\u200b* l) +1 / (b * m) +1 / (c * n))
Qf * 1 / (a \u200b\u200b* l) = X +
Qf * 1 / (b * m) = Y +
Qf * 1 / (c * n) = Z =
Logically: S

Four owners of farms adjacent to presenting a periodic stream flooding decided to build a dam to protect them from water. Spending on construction of the bank amounted to £ 50,000,000 and will be divided in inverse proportion to both the average distance of each farm from the bank than its average share over the level of the stream. The first company is 230
me share has 0.5 m;
the second largest is 320 m and 1 m this installment, the third company
me this installment is 310 m 0.75;
the fourth farm is 450 m and 0.25 m altitude has
Determine the share of expenditure due to each landowner.
Qf = 50,000,000 / (1 / (230 * 0.5) +1 / (320 * 1) +1 / (310 * 0.75) +1 / (450 * 0.25)) The first owner
pay: QF * 1 / (230 * 0.5) = £. 17383920;
the second owner will pay: QF * 1 / (320 * 1) = £. 6,247,345;
the third owner will pay: QF * 1 / (310 * 0.75) = £. 8,598,500;
the fourth owner will pay: QF * 1 / (450 * 0.25) = £. 17,770,235.
The sum of the allocation will be: £. 50,000,000

Allocation misto.
Per semplicità verrà trattato il solo riparto misto semplice. In detto riparto la somma da ripartire verrà suddivisa in maniera direttamente proporzionale ad una sola serie di dati ed in maniera inversamente proporzionale ad un'altra sola serie di dati. Indicando con S la somma da ripartire, con X, Y e Z le quote di ripartizione, in detto riparto:
X verrà suddiviso in maniera direttamente proporzionale ad a ed in maniera inversamente proporzionale ad l;
Y verrà suddiviso in maniera direttamente proporzionale a b ed in maniera inversamente proporzionale ad m;
Z verrà suddiviso in maniera direttamente proporzionale a c ed in maniera inversamente proporzionale ad n.
Interpolando fra loro i due tipi di riparti semplici visti si otterrà la soluzione di detto riparto:
Q.f. = S / ((a/l)+(b/m)+(c/n))
Q.f.* (a/l) = X+
Q.f.* (b/m) = Y+
Q.f.* (c/n) = Z=

Logicamente: S

p.e. quattro Comuni decidono la costruzione di un ponte che li colleghi più agevolmente alla rete viaria. La spesa di £50.000.000 (al netto del contributo statale) verrà suddivisa in proporzione diretta al numero di abitanti ed in proporzione inversa alla distanza media di ciascun Comune dal ponte.
Il primo Comune presenta 2.560 abitanti e dista 2,5 km;
il secondo Comune presenta 1.560 abitanti e dista 5,3 km;
il terzo Comune presenta 4.890 population and is 4.8 km;
the fourth municipality has 3,980 inhabitants and is 6.7 km: Determine
shares allocation of expenditure between the various municipalities.
Qf = 50,000,000 / ((2,560 / 2.5) + (1,560 / 5.3) + (4,890 / 4.8) + (3,980 / 6.7)) The first
City will pay: Qf * (2,560 / 2.5) = £. 17467730;
City will pay the second: Qf * (1,560 / 5.3) = £. 5,020,940;
the third largest municipality will pay: Qf * (4.890/4.8) = £. 17378175;
the fourth municipality will pay: Qf * (3,980 / 6.7) = £. 10,133,155.
As can be seen that the combined shares of distribution coincides with the sum to be divided: £. 50.000.000

This key feature of the allocation makes them difficult to associate with the type of problems errabili. With the completion of the problems relating to the allocation can be considered concluded the theoretical study of the entire financial mathematics (or not) that can be used in the formulation of the main analytical estimates that the future expert may use the estimated in practice. Estimative solvable problems are then dealt with the few known and mathematical formulas that show how the use of financial mathematics applied to such cases can lead to credible results. Indeed, rather than the outcome, will have the computing power demonstrated by the operator to which it is anticipated that the approximations value will not be carried out and found that the descriptive part, which is crucial in any kind of estimate, will be treated elsewhere.
source: http://www.istruzioneonline.it/archivio/estimo/3estimo2.htm

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Solutions entrance exam IV C

TEST INPUT IVC

which of these transactions to be recorded in PD and which can be ignored and why:

• you enter into a contract of sale

• I apply the stamps to letters

• You pay by cash money in the c / c

• l'imprenditore preleva dei soldi per sé dal c/c aziendale

Il primo fatto può essere ignorato perché il credito verso clienti nasce ufficialmente con l'emissione della fattura gli altri fatti vanno registrati perché originano una variazione finanziaria (numeraria)

quali tra questi conti sono dei costi:

• merci c/vendite

• debiti v/fornitori

• valori bollati

• commissioni bancarie

• costi di incasso

• spese bancarie

• rimborsi costi di vendita

• iva c/liquidazione

• spese di trasporto

• fornitori c/anticipi

• debiti per cauzione

Spiegami che cos'è un ricavo

Il ricavo è una variazione positiva di un elemento finanziario non compensata da una variazione opposta equivalente

Spiegami che cos'è un valore finanziario

valore finanziario è un elemento che può essere assimilato alla moneta , sono valori finanziari perciò la cassa i conti correnti, i titoli di credito, i crediti e i debiti
Esegui le seguenti writes:

• buy goods for 3000 € + 20% VAT shipping charges not documented in my load 200 €

of goods c / d vat buy our credit
3200 640 3840
debts v.fornitori

• sell goods for 2000 € + 20% VAT shipping charges not documented in the buyer € 200

d Credits v.clienti
2640 to 2000
c.vendita goods for refund costs to sell our debt to VAT
200 440

• Built on credit b check with

of checks to credit v.clienti 2640 2640

• tour allowance del punto c per pagare il fornitore del punto a, il saldo pago in contanti

d debiti v. fornitori 3840
a assegni 2640
a cassa 1200

• Compro un automezzo per 20000€ + iva 20%

d automezzi 20000
d iva ns credito 4000
a deb. v.fornitori 24000

• al termine dell'anno ammortizzo l'automezzo per il 20%

d ammortamento automezzi 4000
a fondo ammortamento automezzi 4000

• vendo l'automezzo del punto e a 18000€ + iva 20%

d fondo Admin. vehicles to 4000 vehicles
4000

d receivables 21,600 vehicles to 16,000

gains in 2000
to our debt iv 3600

• bill enel I get for 300 € plus VAT 20%

of energy costs 300
of our taxes to claim 60
deb v.fornitori 360

• pay the bill with the bank enel

d deb v.fornitori 360
to bank 360

• pay an insurance on the building of 1000 € to 1 / 11

of Insurance 1000
cash in 1000 to 31/12

• log writing bedding appropriate to refer to paragraph j of prepaid expense

833 to 833 insurance

• my input tax is equal to in 2000 the debt is equal to 3000 and accounting for the VAT to the VAT

of our debt in 3000
vat to vat
our credit c. 2000 1000 iva d liq

c.liq. 1000
bank in 1000

Explain what the scriptures are settling
Generally correct detections made in accordance with the principle of cash that do not comply with the accrual

Descrivi quali sono le categorie presenti in una stato patrimoniale
Nell'attivo (investimenti) troviamo le immobilizzazioni e l'attivo circolante nel passivo (fonti) troviamo il capitale proprio, le passivita consolidate e le passività correnti