Strongest Fm Transmitter

Il sepolcro indiano Joe May 1922 secondo e terzo

Il sepolcro indiano, Mia May e Conrad Veidt

SECONDO EPISODIO (Quattro parti).
Il Rajà si è innamorato di Irene. Egli pensa che soltanto quella donna potrebbe farli dimenticare la sua sventura; che l'amore di quella donna soltanto lo renderebbe generoso e lo indurrebbe a rinunciare alla sua vendetta.
Intanto l'architetto si è ammalato di lebbra, ed è stato rinchiuso nell'orribile bolgia dei lebbrosi.
Mac-Allan sfugge all'agguato; dopo una strenua difesa guada col suo cavallo il fiume liberatore. Gli uomini del Rajà gli portano la triste nuova. Il principe iracondo, concede a Irene di soddisfare il desiderio di vedere il fidanzato, e la conduce sull'alta muraglia che cinge i lebbrosi. Ella lo scongiura di salvarlo, ma nulla si può fare.
Tornato in palazzo, il principe ha una idea. Chiama Raminghani... Il santo fachiro esaudirà la volontà del principe. Guarirà l'architetto, a patto che Irene venga sacrificata al santo offeso. Così accade.
Irene viene acconciata e Raminghani, dall'interno del tempio (è questo il più bello episodio dell'opera che si svolge... non in un'India di carta pesta, ma... nella vera India, tanto le ricostruzioni perfette danno tale illusione) comanda all'architetto di uscire dal recinto maledetto e to come to him. Indeed Herberth stands, walks, doors open, comes into the temple and the miracle. It 's safe!
Soon after, eternally devoted to the god, Irene remains alone in the temple and the altar, in an atmosphere of light, comes off ... Raja dressed by God .. When she understands the nature of his sacrifice, and is raising his dagger to kill himself. Ayan and prevents them from melting ... vote.
the same time, the hunter of tigers, thrown on the plague of Mac-Allan, I have captured and drag him into the courtyard of the palace of Raja. This makes it go down, tied in the bottom of the tower, while Irene, having misunderstood a message from the slave Mirry above, according to which the white man, without saying which it ran great danger, and to escape from it, thinking to leave, he entered the enclosure of the lepers who run the meeting.
third episode. (Four parts).
Irene comes out Mirry. At night, the rats have gnawed the ropes of Mac-Allan. He strangles the guard and escapes. He took refuge in the room of the architect, where he also led Mirry Irene. E 'discovered. Occurs in the prince. The two European intercede. Raja pretends to grant pardons. . Mac-Allan exits and enters ... in the pit of tigers that devour him, while pointing to the tyrant, the ferocious vision, the unfaithful wife.
the evening, the Raja from a party in honor of the Europeans. Mirry forced to dance and makes it sting to death by a snake. While she muore, l'architetto raccoglie dalle suo labbra la verità: “Mac-Allan è stato sbranato. Fuggite insieme alla principessa, per sottrarvi all'ira del principe.
E avviene la fuga. L'eterna, immancabile fuga, il leit-motif di tutti i films. Ma qui è veramente bella, artistica e impressionante.
Sopra un battello, i tre fuggiaschi traversano il lago e su, per le montagne. Inseguimento! Sopra un precipizio v'è un ponte di corda. L'architetto traversa la principessa. Irene, sentendo giungere i nemici, taglia le corde del ponte per salvare l'amato. Costui, all' intimazione del principe, gli spiana la pistola; ma l'indiano si fa scudo di Irene. Allora la principessa, pensando che già troppe vittime innocenti sacrificed themselves for her, plunging into the abyss. At last the Raja
cries. He cries crocodile tears ... Change framework. E 'built the mausoleum. Herbert and Irene go to visit him on the steps and found - guess who? - A ragged beggar, he who was the Prince of Ayan Eschnapur! ...
poor, beggar, ragged, miserable ... Why?
We feel that, halfway through, has come to miss the film needed to complete the film, and with an incredible jump, it is precipitala the end.

fact, even censorship

In 2 nd 3 rd party application to delete the impressive and revolting scenes of the basement where fakirs undergo to torture and even disgusting scenes that take place in the compound of the lepers.

In Part 2: Act 5 ° to eliminate the vision of Herbert stated in the enclosure of leprosy and chase scenes of Irene by the lepers themselves, in the disguise of the Indian prince of God and the crushing of the hand of a leper.

At the 3 rd place 2 nd suppress the scenes where you see the tiger tearing Mac Allon, as well as one in which Mjirina performs belly dancing and the vision of the asp in the basket, that bites produce death.

At the 3 rd place 3 ° reduced to glimpse the scene where you see the Indian, who grabbed his arm, is then swallowed by a crocodile, eliminating the entire last part of the scene.

At the 3 rd 4 th act reduced to a fleeting mention of the scene of the prince who embraces and kisses the princess died a long time.

first part of this post

Hedge Fund Fees And 2010

Questo non è un film: appello per Haiti

pick up the appeal of the Italian Red Cross and the invitation of Pedro's Island to send aid to Haiti.
the site of the Italian Red Cross can find how to send aid (directly from the web).
"The Italian Red Cross appeals to the solidarity of the Italians to support this humanitarian assistance. Financial contributions collected by the Red Cross, will be used in support of attività di assistenza alle popolazioni terremotate, in stretta collaborazione con la Croce Rossa haitiana e la Federazione Internazionale delle Società di Croce Rossa e Mezzaluna Rossa.” (Dal sito della Croce Rossa Italiana)

What Is Quadriderm Nf

Il sepolcro indiano Joe May 1922

...o quel che rimane dopo l'intervento della censura italiana.
Il sepolcro indiano (Das indische Grabmal) , regia di Joe May, è la prima versione per il cinema del romanzo di Thea von Harbou. Come tutti sanno, la sceneggiatura, dal romanzo di Thea von Harbou, corrisponde a Fritz Lang (in collaborazione con l'autrice), che voleva dirigere il film lui stesso, ma si dice Joe May, which in turn had no intention to miss such an opportunity e. .. won the game. A few years later, in 1959, Fritz Lang to direct the third version.
This first release (production year 1921) was presented to the Italian censorship in the early months of 1922 ... and was soundly rejected. After a few months, and some cutting, Italians came out in theaters very late (and very successful). The Italian version of the captions, the work of the writer and journalist William Giannini, did everything possible to hide the gaps, but we can see that he could not completely hide the work of Madame Anastasia (which is called in Italy as Mrs. complaint) and more than one critic made inconsistency on behalf of certain sequences. I suggest one of these reviews, together with the description of censorship cuts.

(Note: I confess publicly that I really like this movie)

THE INDIAN TOMB - Watching the film in three episodes, the novel by Thea Harbou.

WARNING - The author of these chronicles is not responsible for those critical insights that could be his suggested cuts to that, unbeknownst to him, he was involved in the film, the work of the censor, or decay.

first episode. (A prologue and two parts).
Thus begins the summary ... Journal that is distributed at the screening room:
"The temple of Dourgha, the ferocious goddess with eight arms, in whose honor they sacrifice more human lives than to Kali, and that priests no less bloodthirsty fanatics of Tughs, is dug into a mountain in the center of the State of Eschnapur, not far from ' homonymous city, bathed by the waters of Lake Bramingha love, "the valley of the ten thousand sanuriani. How
on the banks of the Ganges, also Eschnapur, crocodiles are considered sacred animals and as such revered, and often, in the dreadful lake, human victims are thrown, to propitiate, to the subjects of the Raja of Eschnapur, the divine spirits of the wild alligators.
The land surrounding the block of granite, which is dug in the temple of the Goddess, is sacred. Nessuno, indiano o bianco, può entrarvi senza l'autorizzazione speciale del gran Sacerdote, di Dourgha, e nessuno a onor del vero, la chiede perché quel recinto è quanto di più sinistro e pauroso si possa immaginare.
Il suolo è sparso di tombe tutte di uguale e semplice forma: una fossa ricoperta da un soffitto di canne e creta. Il cammino è difficile in quella necropoli, e talvolta il visitatore imprudente, precipitato in una delle fosse, vi ha aspettato per lunghi giorni una morte liberatrice.»
Vediamo, sunteggiando il... sunto, quello che accade:
«Nel cimitero sopra descritto arrivano alcuni soldati indigeni, comandati da un capo, che obbedisce ai cenni del Rajà Ayan (Conrad Veidt) . Uncovered a tomb, they draw Raminghani (Bernhard Goetzke) mummified, sleeping for thirty years, waiting for death elevated him to the eternal bliss of Nirvana. The fakir saint was taken to the temple of Dourgha; awakened by priests, called to life. He must now, by divine law, to satisfy every desire of one who has awakened (Raja) is realized his fate, with the aim of demonstrating the weakness and vanity of all human desire, across the meeting.
The Fakir, just woken up, without which the prince sets out his wishes, there is work. Goes before the altar, and with great astonishment of all, it blends with the granite parete, e sparisce». (Fine del prologo).
All'inizio della prima parte, vediamo l'architetto Herbert Rowland (Olaf Fonss) nella sua villa londinese, poco distante da Hyde Park. Pare che costuì si dedicasse a studiare preferibilmente la linea plastica delle donnine del demi-monde e si dilettasse nel protrarre, fino alle ore piccine, la scapigliata gazzarra. (Dico pare, perché questo brano episodico non è stato proiettato. Sia la solita ineffabile censura?).
Finalmente, un bel giorno, congeda il suo entourage e si fidanza con Irene (Mia May) , figlia del professore Amundsen.
Quando, una mattina. Irene viene a invitare il fidanzato per una partita di tennis, costui le racconta that, ten days, does not draw that, unintentionally, mausoleums Indian ... The phone rings and the father of Irene wants it immediately. The architect accompanies his girlfriend to the door and when he returns to find his chair, not knowing which side has come ... Raminghani. Raminghani bearer of a letter from Raja and a booklet of blank chèques signed, to invite the architect to go to India to build a large tomb.
Meanwhile Irene had come from his father, who was ... surprised to see her return so soon.
- I have called you on the phone?
- I, no!
the fakir had been playing his good April Fool's in Irene. Which, frightened, rises above a taxi and fled toward the house of her boyfriend. But Raminghani involved ... And you can see his huge head hanging on the streets of London, following Irene's car, then smaller, enter the hub of the wheel and turn with it, until the wheel ... does not come from the pin. Irene is in cream. I do not remember if before or after, Raminghani performs another miracle. Break ... at a distance, with the power of vision, the architect of the telephone wire, when the future father in law tries to communicate with him to clarify the enigma.
Finally, the architect decides and accepts. Rises above a car with Raminghani, not on the table without leaving his nice letter to Irene. But here is a wall up a diaphanous hand, white, but huge, rain (like that of a Napoleonic ode Manzoni) the loop, grasp the point and shoot with that.
Despair of Irene, by a servant, I can understand that the boyfriend, and the kidnapper, they went to the port. Fly captaincy, the Indian said that a yacht has lifted the anchor. Vane Marconi broadcasts (there is always half of the fakir); room to pray the father to accompany her to India, poor Irene is more desperate than before.
Meanwhile the yacht row to the country spellbound. Raminghani is presented to the architect, is the gift of the ship and handed him the letter from the hand snatched diaphanous:
- Here, there had forgotten.
And he goes, without the architect is made of whether, quell'impresario of new genre, not Satan. The summary content to say that, that night, the European did not sleep.
And so we arrive in India. And here is the wonderful film, that pays for all this jumble of weirdness, which will also be taken seriously by the Anglo-Saxon mentality, remembering that it was the cradle of that romance that populations of Witches 'Sabbath witches' Sabbath and the nights in Germany, which salt, dance macabre transformed the tranquil cemeteries Teutonic, and rang the white streets, lit by the moon, ghosts scary rides, but we can not accept that the Latin on one condition: to laugh about it to crack-skin.
India is wonderful, mysterious, this cradle of humanity and civilization, this endless mine of legendary riches, we see on the screen pass, enlivened by the action of the drama, as if all that is really for us the mystery and legend far, had, in a moment of enchantment, a wonderful reality.

continue: Raja welcomes guests triumphantly. It seems, indeed it is certain (as we learn in one of the four parts of the second episode) that this poor Raja had troubles in the family .. because the beautiful Savitri (Erna Morena) his wife betrayed him with the British resident, Mac-Allan (Paul Richter) .
Raja leads in through the palace, the temple, the holy lake, etc. The architect, to see the place where the tomb will be built ... And when it's there, confides his woes ... The grave is for his wife, whom he loves desperately but can not forgive.
At the same time provides for the capture of Mac-Allan, making it prime by an Indian who tells him there in the jungle, a tiger to hunt. Meanwhile
has arrived, with the consent of his father, Irene. Comes in a biplane in the sky Eschnapur, from Bombay, and enter the palace. (It seems that this time, the action at a distance of Raminghani, did not fire). The Prince receives the host, but forbids her to see the architect. He must incorporate India to design the tomb and not be distracted. But Irene disobeys and night, through the halls, stairways, magical gardens, labyrinths, the recess where the fakirs and the lepers twisting atone for the sins of mankind, taken from the horror, he opened a massive door and is ... in the pit of tigers.
Meanwhile, the architect, who had seen her cross the courtyard, the following ... touches a leper, who tells him: "Your white skin will be devoured by leprosy and comes to the door that Irene has swallowed, but can not open it.
provident, Raminghani appears, imposing the beasts ... to bite each other, and leaves Irene.
(continued in next post)

The work of the Censorship:
In the prologue to suppress the impressive scene of the awakening of the fakir, limiting them to a glimpse of the action sufficient to explain the link.

In part 1 Act 1, delete all the scenes where you see first, and then Irene Herbert fakirs of the fence and then into the pit of tigers.

Baby Papular Urticaria

Cinematografia del 1929

Three main events revolutionized the seventh art in the year of grace 1929: The

talkie, talking
It is still hope so much gold collection to several large industrial and glimpse new horizons. .. film, especially the American public ... which ... was the first to be against. Later it was the Roman public that one of the larger rooms where reigns the sound film, reacted protest, whistling and often making a pandemonium, and the London in which a referendum launched by the London Times, declared himself against the film teatralizzante.
celebrities and competent spoke against the film only just remember Charlie Chaplin and Carl Laemmle. The film
talking on the screen. for example, sexual Hayakawa and Mae Murray, and gave comfort to the cinema to singers such as Tito Schipa, Titta Ruffo, Beniamino Gigli, Giovanni Martinelli, Giuseppe De Luca, Nino Costantini, Marie Bell, Chaliapin, etc..

Crisis (inaspettatissima) of American cinema and German
Del bluff American wrote A. Verrico:

The advertisement has swept the smoke that hid the true face of the city of illusion. In due proportion, what happened is happening in Hollywood in the postwar Italian film: a superabundance of porduzione; mad rush to the news for the novelty; launched superstars and divas from the breed of dog, and, above all, the colossal mistake of will at all costs overcome the European film industry, to win it, demolish it. And here's the payoff: the exhaustion of producers, tired of the public.

seems that it must be precisely this bluff and sound film silent exodus of artists such as Pola Negri, Adolphe Menjou, Monty Banks, etc.). They say that Mecca of cinema.
In Germany, the silent film has found obstacles in the sale and manufacture of sound does it cost so much not to be accessible to very few houses. From January to June 1928 were made in Germany up to 112 movies, and in the same period of 1929 they were made just 63.

The invention of the film in three dimensions
Invention of the technicians of RCA Photophone Company, New York:

With this kind of movie you get the impression of depth, height and width, as if the scene to take place on a regular stage. Along with the reproduction of sound with the possibility of applying proven sixteen different colors, the three-dimensional film will lead to a revolution of the talking film, while achieving extraordinary stage effects.

lights and shadows in the 1929 film
United States. Hollywood trying to leave the pincers of the crisis lies the Motion Picture Producers and Distributors of America Inc., which brings together all the major film production and trade. The main publishing
seek alliances: so, for example, Warner signed a contract with First National for the production of shared-talkies Vitaphone, and United Artists he signed another film with the Earth in Berlin, so this takes care of United Artists film distribution in Germany.
The government of President Hoover spends himself in any way because the crisis does not spread, and it has taken the statuquo for another year of French quota authorizing the export to America of a French film against seven Americans imported into France .
The States United States Artists, who edited the film Queen Kelly, on behalf of Gloria Swanson Productions, under the auspices of the financier Joseph Kennedy, said that this blockbuster will not be presented to the public because

E 'result a poor job, despite the $ 800,000 spent to achieve it.

Bad times for fans of American stars: those who want a photograph with signature of his favorite stars will first send a dollar ... to his favorite star. Moral: Even in Hollywood prices are skyrocketing.

Germany. Remarkable increase of Emelka House, which takes control of 18 theaters Swiss Compagnie Générale Cinématographique. Scandal caused by the failure of Chekhov Produktion GmbH, whose principal exponent, the charming Olga, not content, he founded a new company for the production of his films without putting However, this time (very smart, to Bacchus!), Its name in the name: Filmkuenstler GMBH

England. Elstree is preparing to inherit the fortune of Hollywood. The BIP (which manages 78 cinema) ascends from the administrative side with phenomenal speed (from a balance sheet at March 31, 1929 shows a profit of 194,000 pounds), and from the production (agreement between the British Talking Pic. Klang and the Berlin Film Development of the European sound film).

Russia. Rebirth of Russian film: the foundation of the publishing Meschrapon in Moscow, who signed some contract with English and German Case for the development of sound film; happened to the Berlin film Hurricane on Asia, Galera, Battleship Potemkin, The Last Days of Petroburgo ( Krassin and Italy, and Ivan the Terrible). Among the completed film
in 1929: Life is beautiful and the general line.
In Berlin, the Russian film element was highly represented in the Russian-German Case: Derussa (failed shamefully) and Prometheus Film.

They expect results by the Associated Irish Films (Ireland), and the National Film Festival (Barcelona, \u200b\u200bSpain), the usual fate with good intentions.

Little news from Canada (a sign of rebirth in Vancouver) and Portugal (export permit for a national film against ten major foreign).

India. The film companies are becoming more numerous and variety of Indian films every day. Founded the Royal Pictures Corporation (Lahore) and the Artistic Pictures Corporation (Bombay), working at full capacity, the Great Eastern Corporation (Delhi), and Classical Pictures Corporation (Bombay). Photo

remember 1929: George Bernard Shaw, Captain Mackintosh executive of St. George Productions Ltd., Alice Terry, and Rex Ingram in the movie The three passions.