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| House (pink background center alignment italic font arial 14 font) | |
|---|---|
| Stylistic origins (bold 12) | Electronics , Funk, Disco , Soul |
| Cultural Origins | |
| Tools typical | Synthesizer, Drum machine , Sequencer , keyboard, sampler, Sax, Piano, Violin , Low , Acoustic Guitar, Xylophone . |
| Popularity | |
| / Electro | |
| Acid house - Chicago house - Click house - Deep house - French house - garage house - Microhouse - Progressive House - Dream House - Hard House - Latin House - Soulful House - Pumpin 'house - Scouse house - tribal house - UK Hard - Ambient house | |
| Genres derivatives | |
| Related Categories | |
| Regional Scene | |
| {{{scene}}} | |
| Related Categories | |
| Bands house · Album house · EP house · Singoli house · Video e DVD house | |
| « Not everyone can understand house music: it's a spiritual thing, a body thing, a soul thing. »(font arial 12 pt) | |
| ( Eddie Amador ) |
(font arial 12 pt) The House music is a genre of dance music born in the nightclubs of Chicago and New York in the first half of the eighties and strongly influenced by disco music and elements of soul and funk the late seventies . [1] .
house music The name comes from the local Chicago Warehouse club [1] [2] , where resident DJ Frankie Knuckles played for the first time house records at the beginning of the eighties.
Structural characteristics of the genre (comic font 18) [edit ]
The genus is characterized by a metric tends to 4 / 4 with cash in on every fourth beat, sometimes enriched by more elaborate rhythmic figures. A permanent presence is the "snare" ( snare) on the same beats and a "hat" ( dish) in backbeat to accompany tours low in one or two lines. The low can be acoustic, electric or synthetic. This rhythm section forms the basis for the melodic part that is made differently in different genres but has common elements such as the presence of simple melodic phrases piano, guitar acoustic or electric, or funky jazz , complex solos Wind , chordophones and vocal influences with funk and soul . The frequency is typically metronomic 105/110 bpm with a peak of 130/132. On average, house songs are played around the 125 bpm . [2]
The drafting of a piece house almost always starts with an "introduction" composed of only the drum sounds, culminating in a break made just " pad" (in Italian called "carpet harmonic" accompanying electronic sounds), until reaching the main theme, with its variations. This is followed by a pause longer, breathing, and finally a new theme (perhaps repeating the chorus) and a tail to close the piece. The introduction and tail are critical parts because they allow Dj to put two pieces in sequence without the audience can feel the change.
(first line of paragraph 1.5 font Arial 12)
The Paradise Garage nightclub in New York
The house music was born as a natural development of disco [2] . The pioneers of the new genre were the dj Frankie Knuckles, Larry Levan and Nicky Siano, who in the early seventies from the console of Gallery of New York were the first to experiment with new ways music as the "beat matching", which involves taking the same "time" two discs played consecutively and then switch between them to continue making music without interruption. [3]
Un'altra importante innovazione del Gallery fu quella di utilizzare una console munita di tre piatti: i primi due utilizzati per i dischi mentre il terzo permetteva di inserire nelle canzoni effetti e suoni scelti dal dj [3] .
Nel 1976 Levan decise di acquistare un garage al N°84 di King Street, e di iniziare ad organizzare al suo interno serate danzanti animate dalla sua musica e da quella di Knuckles. Il garage venne chiamato Paradise Garage e diventò uno dei più importanti locali di New York. Al suo interno Levan e Knuckles misero ulteriormente a punto le loro capacità di dj, suonando set di musica disco caratterizzati da una forte componente sexual and transgressive [3] .
In 1977 Knuckles moved to Chicago , becoming dj's Warehouse. In the years following his way of mixing records with pattern of drum machine and vocals soul got even more successful and began to be imitated. The official birth of the genre can be traced back to the conventionally 1983, when the record company Imports Etc Chicago began to sell records under the name of "house music" [2] . The first was the official label "International Dj" (1983) of Lerry Sherman followed by 'the "Traxx Records "(1985) Rocky Jones. Among the first albums released by labels, in addition to" Your Love "(prepared for the 84 clubs in 86 but released in a version sung by Jamie Principal) of the aforementioned Knuckles, go Remember, too, "On and On" (1984) by Jesse Saunders (the first official history of disco house [4] ) and "Set It Off " by Walter Gibbons . The earliest records were played until 1985 only in certain clubs like the Music Box (ex Warehouse since 1983 took the place of Ron Hardy Frankie Knuckles) or the Paradise Garage. In the city of Chicago, however, could be heard on the radio and WBMX radio show "Saturday Night Ain ' t No Jive Chicago Dance Party "where they alternated Chiacago most famous DJs and New York (in a particular group of the famous" Hot Mix 5 "). The Big Apple instead Tony Humphries played 80 years in the first house on Radio Kiss FM .
In 1986, the house finally became popular around the world even though the term "house music" was little used. In the summer of 1986 "I Can not Turn Around" project JM Silk becomes the first disco house that arrives at number one on Billboard's dance chart. At the same time he became famous in dance clubs "Move Your Body" by Marshall Jefferson, the first disco house imported into Europe. Internationally, the turning point point came when in January and February 1987 "Jack Your Body" by Steve "Silk" Hurley arrived at the first position of the UK chart (second song was also the house to have a video clip after "Love Can not Turn Around"). Larry Heard launched "Can You Feel It" (published also in a version sung in 1988), who opened the vein of deep house which Chicago was getting spokesman. Other big hits of the mid-80's were "Music is the key" to Steve Hurley, "No Way Back" by Adonis, "I Want You" and "You Used To Hold Me" by Ralphi Rosario, "Showin Out" of Mel & Kim (the first disco house English) "Jack The Bass", "House Nation" and "Love Can not Turn Around" by Farley "Jackmaster" Funk .
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